difference is the very movement of dispersion, of friability, a shimmer.
What matters is not the discovery, in a reading of the world and the self, of certains oppositions, but of enchroaments, overflows, leaks, skids, shifts, slips...

–Roland Barthes


statement

I am architect that understands art as non-disciplinary field of operations in which I proceed detecting tangencies, vibrations that tend to a limit. I am interested in infinitesimal changes and unnoticed rythms and I work with differential calculus.

My practice is based on actions that implicitly catch in flight the nuance of difference. I enjoy letting myself be carried away the accident so I work close to experimentalism, without any particular style. The projects are usually carried out through an autonomous process of “letting things do”, a self-abandon process in which I intervene as a mediator and where the structuring action is waiting. Waiting for something that I haven’t thought about happens and trust that when it does, I can recognize it.


June 2020.


cv
texts
– Inframince Architecture: from Marcel Duchamp to Cedric Price (and viceversa)[link esp] [link fr]
New territories of the Olfactory Experience, 2020.
Ed. Laboratoire Gerphau. École Nationale Supérieure d´Architecture Paris-La Vilette.


– Dissipative Olfactory Paint® (curatorial text for catalog) [link esp]
Exposición Colectiva Desp
ega2018. C Arte C - Centro Arte Complutense

–Review of my nailgrowth (curatorial text for catalog)[link esp]
XXVI Circuitos de Artes Plásticas 2015. Ed, Dirección General de Bellas Artes de la Comunidad de Madrid.

– Geolfatographies (research article) [link esp]
Displacements, an ´scape journal, 2017.
Ed. ETSAM Escuela Técnica Superior de Arquitectura de Madrid ISBN: 978-8477957454  

– Ancianos, supermercados y Coronavirus (narrative article)[link esp]
SUR Escuela. Círculo de Bellas Artes, 2020.


– Sobre Dios (narrative article) [link esp]
SUR Escuela. Círculo de Bellas Artes, 2020.

projects


Mark